VE3GK posted this interesting project about an HF Mobile multiband antenna. Can be remotely tuned.
A 50 Ohm Dummy Load
This idea came about after listening to all you Amateurs tuning-up your amplifiers while on-air.
It always happens right in the middle of receiving a good SSTV picture!
This may give you the idea of building your own (cheap) dummy load and do your tuning through this.
You can subsitute the shown value components to handle your mega-watt amplifiers.
For example, you can use twenty, 1K (1000-ohm), 3W or 5W resistors connected in parrellel.
The components shown here are two 100-Ohm, 5W resistors connected in parallel and submerged in a tin of oil.
This will more than handle the few Watts output from the transmitters that QRP’ers prefer.
Start by drilling a hole hole in the lid of a 250ml paint tin to suit the SO259 connector. Solder around it to prevent any leakage when the oil is added. Next, a leg of each resistor should be soldered to the metal lid and the opposite ends both/all soldered to a length of stout copper wire which is taken to the center connector of the socket.
With a multimeter, measure across the SO259. There should be a reading of 50-Ohm’s and no open/short circuits.
If all is well, fill the tin to the brim with engine oil and attach the lid firmly in place.
At this point you’ll probably notice that oil will splurge over the sides so don’t do this on the kitchen table!
If you don’t fancy the mess of oil it’s also possible to fill the tin using sand. This will also dissipate
any heat generated by the resistors. I’ve not tried this method but there’s no reason why it shouldn’t work
Now perhaps you’ll build one and do your tuning-up thru it – especially you, G1—!!!
(We know where you live!)
source http://www.keirle.fsnet.co.uk
Some Tips on Sound Card Interfacing to Your Rig
Originally, I set out to simply to record and play back received audio in cases where it was necessary to let other stations hear their own signal as accurately as possible. I soon discovered that there is software out there that also allows SSTV and RTTY via the sound card as well. Most likely there are other programs for different modes and uses, but for now I only will concern myself with the above three applications.
Here are some tips on hooking up to your rig along with some of the problems I ran into and how they were solved. For this discussion, the hardware and software line-up includes Yaesu FT-990 and Kenwood TS-820S transceivers; a 486DX100 PC with a Creative Labs Sound Blaster 16 sound card; Sound Blaster utilities (Creative Mixer, Soundo’LE, etc.); W95SSTV (Jim Barber, N7CXI, and Bill Montgomery, VE3EC); BTL (Blaster TeLetype, Rob Glassey, G0VTQ); Microsoft Windows 95.
Transceiver Audio Interface
Both the FT-990 and the TS-820S have a pair of RCA phono type jacks on the rear panel for interfacing with external equipment, mostly for phone-patch units. Both rigs specify the impedance of both audio in and out at 600 W. The factory settings for the 990 are at 100 mV rms on the AUDIO OUT jack, and 2 mV rms for the PATCH IN jack. The 820S manual does not provide any levels for the PATCH IN or PATCH OUT interfaces, but it does reference use for SSTV and other types of modulators/demodulators. With this in mind, you should be prepared to do some experimenting with level setting using divider networks and/or audio transformers between the rig and PC sound card. Read the manual for your particular rig to identify sources of audio to the PC and the external input for audio from the PC. Note any given specifications of typical levels, either in Vrms or Vpk-pk.
Sound Card Interface
Sound cards vary in available means to interface with external equipment. The Sound Blaster 16 offers a microphone input and a line input for getting audio into the card. On the output side, there is the standard speaker jack as well as a line output jack. Other cards offer only a choice between speaker output or line output from one jack, set by a jumper on the card. So examine your sound card to determine what is available as this will influence how you interface with the rig.
Some Key Notes
Sound cards are stereo devices. You will be interfacing with a mono device (the rig), but you still need to use three-circuit stereo connectors at the sound card (assuming that it uses the miniature 1/8″ or smaller jacks). Do not attempt to use a standard two-circuit plug in the three-circuit jack on the sound card. The tip contact is usually longer than on a three circuit plug and can wind up shorting the left and right inputs or left and right speaker and/or line outputs together.
Shielded wire for the interconnect is a must-have item–not only for hum and noise at audio frequencies, but to minimize RF on transmit from getting into the sound card and back into the rig and causing distortion.
Get familiar with the sound card software, particularly if it provides a virtual “mixer” function. The Sound Blaster Creative Mixer provides a master volume control for output (speaker and line), separate controls for setting mike in and line in levels, and tone controls for bass and treble.
The remainder of this discussion refers to Figure 1, which shows the audio interconnections used between the PC and both of the rigs in my shack. It is meant as an example; your particular configuration may–and most likely will–vary, but you can get the general idea.
Audio to the Sound Card
I chose to use the microphone input at the time. This input is very sensitive and easily can be overdriven. The 990 specifies 100 mV rms at the AUDIO OUT jack. This is adjustable inside the 990, but it is not easily done as the adjustment must be made by removing the control board, tweaking a pot, putting it back in and testing–a tedious cut and try situation.
I guessed that the mike in of the sound card was probably down in the 2 to 20 mV rms range. Thus, the presence of the resistive divider between the 990 AUDIO OUT jack and the sound card microphone input. I initially started with a 10:1 divider after having tried a direct connection. With the direct connection, moderate, distorted audio could be heard in the sound card speakers, due to severe overloading of the input and cross-talk within the card. The divider cured this.
If you use the line input on the sound card, which usually works with higher levels, you may not need the divider, but be prepared to use one. Shielding is important, however, in my case, I kept the leads of R1 and R2 extremely short as well as the junction of the shields and minimize the exposed center conductor lengths. So basically it is “free air” construction. I have not seen any indication of RF problems getting into the system, even while running up to the legal limit on voice on all bands (something I don’t do as a rule but did for test purposes). If the kW won’t bother it, the basic 100-200 W should be fine.). If your rig does not offer an auxiliary audio out connection, you will need to either go inside the rig and find a take-off point, or simply tap across an external speaker. With this method, it is essential that the external speaker lead be shielded. I would recommend a “Y” connector at the back of the radio as opposed to soldering leads across the speaker terminals.
Audio to the Rig
If your sound card has a LINE OUT jack, this is the ideal place to start. If not, then the speaker output is the next choice. This will require obtaining a stereo “Y” adapter. Be aware that I have observed an on-air test with another ham using this last approach and two problems can be present. First, the speaker leads must be shielded to help guard against RF and hum on transmit. Second, most power amps in the sound card have a certain amount of residual hiss, hum, and other noise present even with no audio present at the input. While low enough in level to not be noticeable in the speakers unless you stick your ear right up next to them, connecting directly to a sensitive input on your rig may result in transmitting a very annoying background noise.
Another problem, generic to either approach, is hum/noise on transmit due to ground loops. Rob Glassey, G0VTQ, addresses this in his BTL program, which is why an audio transformer is used in Figure 1–where the shield of the lead from the sound card is isolated from the shield carrying audio to the rig. This might seem strange since the shield from the rig audio output to the sound card is not isolated. But it works! Without this approach, I had considerable hum/noise which even showed on the wattmeter and on the monitor scope.
Getting audio into the rig is the next task. If you have an external audio input port on the radio for a phone patch, or similar, this is a good choice. Others may have to resort to using the normal mike input and doing a mixing circuit, or simple switch approach to select between the mike and the sound card. The PATCH IN jack on the FT-990 is rated at 600 W and 2 mV rms typical sensitivity.
The trick I found is to create a match between the normal microphone gain setting on the rig for normal transmit audio (using the ALC deflection as a reference) and the audio from the sound card to produce the same indication to avoid having to jockey the mike gain control on the rig between modes.
The transformer in Figure 1 (Adobe Portable Document Format (pdf) file) is an old audio output transformer from a solid state radio that matches the audio output transistor collector to a 8-16 W speaker. It is wired to step down the level from the sound card to the rig. The series resistor provides a degree of impedance matching on the rig side. Without it, there was a noticeable change in normal mike drive on the rig between having the plug from the transformer in or out. You can compensate for the sound card audio drive with the master volume control for the sound card (in software).
The capacitors across the windings of the transformer are there to bypass RF and should not degrade audio quality due to the impedances involved. Keep the leads of the capacitors short!. The caps in my installation are soldered directly across the transformer terminals (leads).
If you have to tap across the sound card speaker for one of the channels, the transformer should most likely have a ratio of 1:1. If you can find an older interstage audio transformer (not a speaker/output one), it should minimize the loading on the speaker output being used. I understand that Radio Shack still offers a 1:1 transformer, so this might be well worth checking out. If not, a 8-16 W output transformer can be used only this time with the speaker winding hooked to the sound card speaker and used as a step up transformer. Again, do not connect the shields of the cables between rig and transformer, and transformer to sound card speaker to avoid ground loops. Use the .001 uF caps for RF bypass.
Testing And Adjusting
I chose to begin with only the link from the rig to the sound card hooked up. Try to determine if the audio output using the patch out or audio out jack on the rear of the rig vary with the front panel AF gain. The FT-990 audio jack is independent of the front panel control. If you are getting the audio from the rig speaker, set the AF gain for a comfortable listening level.
My RTTY program (BTL) has a bar type graph at the top showing the relative audio level coming in. The author recommends not exceeding the halfway point on peaks. It also has a control panel for adjusting the input level for the mike input on the sound card. I tuned in a reasonably strong RTTY signal with little QSB. Swapping between the BTL sound card control panel and the program main screen, I tweaked the mike input level for a peak bar graph reading slightly less than half scale. Copy was perfect.
I next ran my SSTV program (W95SSTV). This program does not have a separate control panel for setting the sound card, but does have a level display. The author recommends no more than half scale (like BTL). I was able to copy several pictures quite nicely and the level seemed to be set OK. If your programs do not have a control panel for setting levels, you will have to use whatever comes with your sound card software. This can be a bit tedious having to swap between programs but once set, you should not have to do this too often.
Now for transmit. I connected the cable/transformer link between the sound card and rig. Prior to this, I turned of the processor on the rig and set the mike control for normal ALC speech readings. Unlike the receive side, the mike gain on the FT-990 does adjust the drive from the patch in jack on the rear panel. Running the RTTY program and using the control panel function, I transmitted the basic mark-space tones (no text yet) and set the sound card line output setting for half scale ALC. NOTE: As always, it is preferred that you use a dummy load during testing so as not to tie up a frequency.
I ran W95SSTV and found that I had to tweak the mike gain a bit to compensate for a slight difference in audio drive level. If you see too much audio to the rig, even at low settings of the sound card output level, increase the value of R3 in the schematic. If going directly to the mike input on the rig, you may need to replace R3 with a voltage divider similar to the one on the receive side. Some cut-and-try may be needed to achieve a reasonable balance.
Finally, check for residual hum on your transmit signal. There are a couple of ways to do this. Start with the PC running and ready, but no programs running. Key the rig and listen in a separate receiver, have a fellow ham close by (ie, gets you regularly at 59+) to listen, or use the monitor function in the rig if you have one. There should be no detectable hum or noise. If there is, start by rechecking the shields on the transmit cable, being sure to have good connections at the plugs, and that the two shields at the transformer are not touching and truly isolated from each other.
I would also recommend plugging the PC and accessories into the same power strips as the radio gear (if you have enough current capacity) as this will bring the chassis ground prong of the PC power cord somewhat more common with the chassis ground of the rig. Otherwise, if you can, try a heavy ground strap between the PC chassis and rig. This may not always be simple to do with today’s PC cases.
If the noise sounds more like a harsh buzz, the monitor may be a candidate. I run a NEC Multisync XV17+ (17 inch) about a foot from the rig and have not experienced any problems. This monitor is low-emissions compliant. However, my older 15-inch VGA monitor, which was not, raised havoc with the rig, even on receive. Try changing the arrangement of the equipment to place more distance between the rig and monitor if possible.
One final note. Set the bass and treble controls in the sound card control panel for a “flat” response for starters. Depending on the audio transformer used with regard to the amount of “iron” in the core, retransmit of voice may require you to adjust the bass boost upward to compensate for the low frequency rolloff of the transformer. For RTTY and SSTY, using a flat response setting should be adequate since these modes generally do not involve frequencies below 1KHz. If you play music with your sound card, note the settings for RTTY and SSTV so you can return to them.
Closing Comments
I hope this information will help. None of the above information is a guarantee that it will work in all situations using the method I use “as is.” Rigs vary, PCs and sound cards vary, and programs vary. I present this material as a guide or starting point.
Also remember that RTTY and SSTV transmissions are high duty cycle modes. Check your rig for any limitations on transmit time (key down) or recommendations to reduce the power output for these modes. Working locally, I set the FT-990 for about 30 W out. For DXing, I sometimes use my amplifier (when needed) with the rig drive set to generate about 300 W out of the amplifier. This appears to be more than adequate for almost all conditions, and both the rig and amp are loafing. In keeping with good amateur practice, use only the power you need to establish and maintain good contact.
I have made several fun contacts on RTTY with DX stations and received some very nice pictures on SSTV. But I have not done much transmitting. I guess a digital camera is next! Hope you have fun with these modes.
Article originally available at www.arrl.org/news/features/1999/0701/2 Copyright by WA1VOA
Simple double-quad Antenna
A simple 2.4 GHz double QUAD Antenna
Why Are Antennas Built to Look Like They Do?
We come to recognize the proportionate shape and appearance of antennas. If we see a half wavelength dipole we recognize it for the antenna it is. When we see a Ground Plane antenna we know what it is. Its just the same as when we see a Ford automobile next to a Volkswagen we know which is which. It is possible though for Ford to build a car that looks like a Volkswagen but, it’s not possible to build a dipole that looks like a Ground Plane, or a “J” antenna that does not look like the letter J! Lets investigate this, and in fact we can start with the “J” antenna as our object model.
“J”
Observe that the vertical portion of the letter J is about two times higher than the portion that forms the crook of the J, or we could say that the height of the J is three times the height of the crook. It is for this reason that the J antenna got its name.
The crook portion of a J antenna forms a “Linear Impedance Matching Transformer” or “Q-Line” transformer because of these two parallel conductors that are 1/4 wavelength long. Above this Q-Line is the radiating portion or “radiating element” that is 1/2 wavelength long.
At the bottom end of this quarter wavelength Q-Line which is electrically shorted together, there is a dead short zero Ohm impedance. One quarter wavelength above this dead short is an infinitely high impedance of thousands of Ohms. This is how any Q-Line device such as a “Bazooka Balun” works.
Now some who have read this article so far might be scratching their chins about now thinking, he said the radiating element is 1/2 wavelength long. Gee, a dipole is one half wavelength long! That’s right, a “J” antenna is merely an “end-fed” dipole! Another name for an end-fed dipole is a “Zepp”, because this form of dipole was first used on Zeppelins. So how is the more common version of a dipole different?
In the J antenna we feed the dipole on its end at the high voltage point of the antenna. If we feed it at the center at its high current point, we will see a much lower impedance or alternating current (AC) resistance. In fact the characteristic “radiation resistance” of a center fed dipole in free space is 72 Ohms. Free space by the way means that the antenna is several wavelengths above the ground, or any other conductive object. Usually free space means at least 10 wavelengths but, for practical design considerations 3 to 5 wavelengths is often times hard enough to achieve!
What happens if we feed a dipole not at the center, and not at its end but, half way in between. This sort of dipole we call a “Windom” named after the antenna’s originator. This type of dipole has a characteristic impedance or radiation resistance of 600 Ohms. This feature allows this sort of dipole to be operated on almost any frequency within several octaves of its design frequency, and always present a relatively moderate impedance and consequently a decent “SWR”.
Next let’s take a look at “Ground Plane” antennas, afterall, aren’t they just another variation on a dipole? Well, it’s certainly true that they are “current-fed” at the center of one half wavelength. If you have ever seen a Ground Plane fabricated on a chassis mount coax connector you can see how this antenna works.
You start by cutting five quarter wavelength metal rods, I have always used Brazing rod. If we were going to make such a Ground Plane for the 2 meter wavelength band we would cut these rods to about 19.25 inches. If we start by just soldering on two of them, one to the center connection, and one to one of the flange holes, we have sort of a dipole. Actually this probably looks closer to an “Inverted V” type dipole but, I think you get the picture! So, now we have one of these 1/4 wave rods connected to the center conductor of our coaxial transmission line, and one of them connected to the shield. So, why should we solder on the other three, won’t the antenna work with just these two? It would work as far as the transmitter is concerned. It would have a characteristic impedance pretty close to 50 Ohms, so the transmitter would be happy! The trouble is that without the other “radials” to form a uniform “counterpoise” , the antenna is not the “omni-directional” antenna we were seeking! If we left it looking like an Inverted-V, it would have a figure-eight radiation pattern broad-side to the two rods. If we provide three radials 120 degrees from one another, or four radials 90 degrees from one another, the antenna will have an omni-directional radiation pattern. By the way, the radials really should be about 5% longer than the radiating element. Also, if the antenna has 3 radials, they will have to be bent down at a lower more acute angle to achieve a 50 Ohm impedance match to the transmission line.
So, what’s the bottom line to all this palaver? Simply this, all antennas, any antenna can be analyzed as to its design by analyzing its current and voltage distribution. The end or tip of the antenna is always going to represent a high impedance and high voltage point. If we measure down 1/4 wavelength we will find a high current point and a relatively low impedance. If we follow this process all the way back to the feed-point we can determine all aspects of the antenna including the antenna’s aperture size, and the aperture size will tell us the antenna’s approximate gain. Every time you double the aperture size of an antenna you double its gain, which means you pick up 3 decibels of gain.
Lets check this out by looking at one last J antenna which has come to be called a “Super J”. A Super J starts with a normal looking J just like we see so many of nowadays. At the tip top of this J a quarter wavelength phase de-coupling stub is added, and then another half wavelength dipole is placed on top of the phase decoupler. Guess what happens next, we gain 3 “dBd”, or 3 dB’s above a dipole reference! In “dBi” this would be 5.2 dB’s compared to an “Isotropic” reference.
Terms
Q-Line, Bazooka Balun, or linear impedance matching transformer: All of these are electrically speaking the same thing. A Bazooka Balun only differs in that it is fabricated from two lengths of tubing, as well as a central coaxial inner conductor. These are all one quarter wavelength long!
Radiating Element: This term is both hard to closely define, and in fact is a bit of a misnomer. The vertical element in a Ground Plane is sometimes called the radiator or radiating element but, it really radiates in conjunction with other associated elements that form part of a half wavelength.
End-fed, and center fed: These terms are closely associated with the terms, “Voltage Fed and Current Fed".. At the end of a half wavelength there is an infinitely high impedance and consequently an infinitely high voltage. At the exact center of a half wavelength is an infinitely high current and virtually by contrast, no voltage and a very low impedance.
Characteristic Impedance: All conductors or wires have both some amount of inductance and some distributed capacitance, this in itself provides a “lumped constant” derived impedance. In various configurations such as two wires parallel to one another, a characteristic impedance will result. Wires that are brought more closely together will have a lower impedance as parallel capacitance rises, or if they are farther apart this impedance will rise as capacitance is reduced.
Radiation resistance: All antennas have a characteristic radiation resistance because of the comparative effects of their distributed inductance and capacitance. This can also be expressed as a current to voltage ratio. Whatever this ratio is, a characteristic impedance will result. For a dipole this is 72 Ohms, for a 1/4 wave Ground Plane with radials at 90 degrees to the radiating element this is about 34 Ohms, and for a 5/8 wavelength Ground Plane its about 90 Ohms.
SWR: Standing Wave Ratio is the term given to the measurement of current or voltage distribution as imposed within the antenna. It is usually measured as a voltage and therefore the term often used is “VSWR".. If an antenna has a radiation resistance of 72 Ohms and we feed it with 50 Ohm coaxial cable, the SWR will be 1.44:1. If we fed a 90 Ohm antenna directly with 50 Ohm cable the SWR would be 1.8 to 1 (1.8:1 or 90/50 = 1.8).
Phase de-coupling: When ever the aperture size of an antenna is increased we have to make provision for the additional antenna elements to work in phase with the other elements. On vertical omni-directional antennas this is done by phase de-coupling half wavelength radiators with quarter wavelength phase de-couplers.
Gain: Antenna gain is often times a controversial subject. It really shouldn’t be, for the following reason. Every time an antenna’s aperture size is doubled, its gain will double. If I properly stack one beam antenna of equal size over its predecessor I will have doubled its aperture size. If I ignore the losses imposed by the feed line and phasing network, I will have added 3 dB’s of signal gain. Don’t forget though, there’s no free lunch. If I put a 10 dB gain antenna on a 100 foot tall tower and use poor or cheap coax cable to feed it, it may well turn out that I have less signal gain than I would have had by putting a unity gain “J” up at 30 feet with good coax.
Article by Wa6BFH originally at /www.geocities.com/SiliconValley/2775/
Low Noise Antenna Connection
From: jpd@space.mit.edu (John Doty)
Newsgroups: rec.radio.shortwave
Subject: Low Noise Antenna Connection
Date: 26 Nov 1993 16:55:24 GMT
It doesn’t take very much wire to pick up an adequate signal for anything but the crudest shortwave receiver. The difference between a mediocre antenna system and a great antenna system isn’t the antenna itself: it’s the way you feed signals from the antenna to the receiver. The real trick with a shortwave receiving antenna system is to keep your receiver from picking up noise from all the electrical and electronic gadgets you and your neighbors have.
The Problem:
Any unshielded conductor in your antenna/ground system is capable of picking up noise: the antenna, the “lead-in” wire, the ground wire, etc. Even the widely recommended cold water pipe ground can pick up noise if it runs a significant distance before it goes underground
Symptoms of this problem include buzzing noises, especially at lower frequencies, clicks as appliances are turned on or off, and whines from motorized devices. Sometimes the problem can be reduced by running the radio from batteries.
The Solution:
The solution is to keep the antenna as far as possible from houses, power lines, and telephone lines, and to use a shielded (coaxial) transmission line to connect it to the receiver. To get this to work well, two problems must be avoided: noise currents on the shield must be kept away from the antenna, and, if you want to listen to a wide range of frequencies, the cable must be coupled to the antenna in a non-resonant way.
You can keep noise currents away from the antenna by giving them a path to ground near the house, giving antenna currents a path to ground away from the house, and burying the the coaxial cable from the house to the antenna. Resonance can be avoided by coupling the antenna to the coaxial cable with a transformer.
Construction:
My antenna and feed system are built with television antenna system components and other common hardware. These parts are inexpensive and easily obtainable in most places.
The transformer is built around a toroid extracted from a TV “matching transformer”. If you’re a pack rat like me, you have a few in your basement: you typically get one with every TV or VCR (or you can buy one). Pop the plastic case off and snip the wires from the toroid (it looks either like a tiny donut, or a pair of tiny donuts stuck together). The transformer windings should be made with thin wire: I use #32 magnet wire. The primary is 30 turns while the secondary is 10 turns. For a one-hole toroid, count each passage of the wire down through the hole as one turn. For a two-holer, each turn is a passage of the wire down through the right hole and up through the left.
Mount the transformer in an aluminum “minibox” with a “chassis mount” F connector for the coax cable and a “binding post” or other insulated terminal for the antenna. Ground one end of each winding to the aluminum box. Solder the ungrounded end of the primary to the antenna terminal, and solder the ungrounded end of the secondary to the center conductor of the coax connector.
Drive a ground stake into the earth where you want the base of your antenna to be (well away from the house). Mount the transformer box on the ground stake: its case should make good contact with the metal stake. Drive another ground stake into the earth near the place where you intend for the cable to enter the house. Mount a TV antenna “grounding block” (just a piece of metal with two F connectors on it) to the stake by the house. One easy way to attach hardware to the ground stakes is to use hose clamps.
Take a piece of 75 ohm coaxial cable with two F connectors on it (I use pre-made cable assemblies), connect one end to the transformer box, the other end to the grounding block. Bury the rest of the cable. Finally, attach a second piece of 75 ohm coax to the other connector on the grounding block and run it into the house. Use waterproof tape to seal the outdoor connector junctions.
Attach one end of your antenna to the antenna terminal on the transformer box and hoist the other end up a tree or other support(s) (don’t use the house as a support: you want to keep the antenna away from the house). My antenna is 16 meters of #18 insulated wire in an “inverted L” configuration supported by two trees.
If your receiver has a coaxial input connector, you may need an adapter to make the connection; in any case, the center wire of the coaxial cable should attach to the “antenna” connection, and the outer shield should attach to the “ground” connection.
Multiple grounds and transformer coupling of the antenna should reduce the danger posed by lightning or other electrostatic discharge, but don’t press your luck: disconnect the coax from the receiver when you’re not using it.
How it works, in more detail:
Coaxial cable carries waves in two modes: an “outer” or “common” mode, in which the current flows on the shield and the return current flows through the ground or other nearby conductors, and an “inner” or “differential” mode in which the current flows on the inner conductor and the return current flows on the shield. Theoretically, outside electromagnetic fields excite only the common mode. A properly designed receiver is sensitive only to the differential mode, so if household noise pickup is confined to the common mode, the receiver won’t respond to it.
The “characteristic impedance” of the differential mode is the number you’ll see in the catalog or on the cable: 75 ohms for TV antenna coax. The characteristic impedance of the common mode depends on the distance of the line from the conductor or conductors carrying the return current: it varies from tens of ohms for a cable on or under the ground to hundreds of ohms for a cable separated from other conductors.
A wire antenna can be approximately characterized as a single wire transmission line. A single wire line has only a common mode: for #18 wire 30 feet above ground, the characteristic impedance is about 620 ohms. For heights above a few feet the characteristic impedance depends very little on the height.
If the impedances of two directly coupled lines match, waves can move from one line to the other without reflection. In case of a mismatch, reflections will occur: the magnitude of the reflected wave increases as the ratio of the impedances moves away from 1. A large reflection, of course, implies a small transmission. Reflections can be avoided by coupling through a transformer whose turns ratio is the square root of the impedance ratio.
The basic difficulty with coupling a wire antenna to a coaxial line is that the antenna’s characteristic impedance is a poor match to the differential mode of the line. Furthermore, unless the line is very close to the ground, the common mode of the line is a good match to the antenna. There is thus a tendency for the line to pick up common mode noise and deliver it efficiently to the antenna. The antenna can then deliver the noise back to the line’s differential mode.
Some antenna systems exploit the mismatch between the antenna’s characteristic impedance and the line’s characteristic impedance to resonate the antenna. If the reflection at the antenna/line junction is in the correct phase, the reflection will add to the signal current in the antenna, boosting its efficiency. While this is desirable in many cases, it is undesirable for a shortwave listening antenna. Most shortwave receivers will overload on the signals presented by a resonant antenna, and resonance enhances the signal over a narrow range of frequencies at the expense of other frequencies. It’s generally better to listen with an antenna system that is moderately efficient over a wide frequency range.
In my antenna system, grounding the shield of the line at the ground stakes short circuits the common mode. The stake at the base of the antenna gives the antenna current a path to ground (while the transformer directs the energy behind that current into the coax). Burying the cable prevents any common mode pickup outside the house, and also attenuates any common mode currents that escape the short circuits (soil is a very effective absorber of RF energy at close range). Common mode waves excited on the antenna by incoming signals pass, with little reflection, through the transformer into differential mode waves in the coax.
A major source of “power line buzz” is common mode RF currents from the AC line passed to the receiver through its AC power cord. These currents are normally bypassed to chassis ground inside the receiver. They thus flow out of the receiver via the ground terminal. With an unshielded antenna feedline and a wire ground, the ground wire is a part of the antenna system: these noise currents are thus picked up by the receiver. On the other hand, with a well grounded coaxial feed these currents make common mode waves on the coax that flow to ground without exciting the receiver.
Performance:
A few years ago, I put up a conventional random wire antenna without a coaxial feed. I was disappointed that, while it increased signal levels over the whip antenna of my Sony ICF-2001, it increased the noise level almost as much. I then set up the antenna system described above; in my small yard, the base of the antenna was only 12 meters from the house. Nevertheless, the improvement was substantial: the noise level was greatly reduced. This past year I moved to a place with a roomier yard; with the base of the antenna now 28 meters away I can no longer identify any noise from the house.
The total improvement over the whip is dramatic. A few nights ago, as a test, I did a quick scan of the 60 meter band with the whip and with the external antenna system: with the whip I could only hear one broadcaster, unintelligibly faintly, plus a couple of utes and a noisy WWV signal. With the external antenna system I could hear about ten Central/South American domestic broadcast stations at listenable levels. WWV sounded like it was next door.
I have also tried the antenna system with other receivers ranging from 1930’s consoles to a Sony ICF-SW55. I’ve seen basically similar results with all.
Antenna mounting height – the higher the better?
For someone surrounded by houses, power lines and trees, a 30m/98ft high tower is desirable. A high tower is also desirable for someone situated on perfectly reflecting ground, such as saltwater.
However, in most “real world” cases, the 30m/90ft height is less advantageous than you might think.
Why is this the case?
The angle of radiation can be so low that most of the signal is eaten up by ground loss. For the 21MHz, 24MHz and 28MHz bands, an antenna on a 30m/98ft high tower has a radiation pattern of 5 degrees or less (depending on ground conditions, the electrical height may be even higher and the angle of radiation even lower). At these low radiation angles, the ground tends to absorb a large portion of the signal.
To overcome this loss, it would be advantageous to be able to lower the antenna to increase the angle of radiation at higher frequencies — a remote-controlled variable-height tower. Hams with these towers have reported up to 12 dB “DX-gain” (e.g., on 21 MHz) by lowering the antenna from its full 30m/98ft height to 20m/66ft height.
Note that the low radiation pattern of 4-5 element beams has about 14-15 dB/i ERP “DX-gain.”. This portion of your DX radiation can be partially or totally lost, at maximum tower height.
The best (only) solution for maximum DX results at higher HF frequencies? Provide a variable-height antenna tower.
Check for the most favorable radiation angle on medium-distance and long distance DX (typically 2000-12,000 miles / 3000 – 20,000 km) with the help of the chart above.
Example:
See Figure 1. At a Radiation Angle of 23 Degrees (See Fig. 1A) your “DX-chance” at 7 MHz is 25%, while at 18 MHz it is 90%. At a Radiation Angle of 7 Degrees (See Fig. 1B) your “DX-chance” at 10 MHz is 10%, while at 30 MHz it is 50%.
While professional radio applications generally require “long-time” connections, such as an S-4 signal for 5 hours, for amateur radio applications an S9 +40 signal for just ten minutes can often be more desirable.
Conclusion: Low radiation angles (typically 7-15 degrees) are effective for “big” signals over long distances for a relatively short period of time, which is usually adequate for DX purposes. However, if long-time QSOs are your goal, higher radiation angles may be better.
Information from “Neues von Rohde und Schwarz,” Okt./Nov. 1973.
70 cm Quagi Antenna
This was my first AO-10 antenna. As goofy as it looked, I managed a few contacts with 10 Watts, including Brazil on SSB.
This is a pair of 8-element quagi’s, set up for RHCP. Construction is simple, with no critical tuning elements. They are made from 1/2″ PVC pipe and # 10 wire (stripped from Romex) for directors and # 12 wire for loops.
The 4-element 2 m Yagi is made from 1/4″ copper tubing and 3/4″ PVC. It has a 50 Ohm dipole feed.
Theory:
The “quagi” antenna was designed by Wayne Overbeck, N6NB, amd is a high-gain antenna combining the high-impedance (and easy matching) characteristics of the quad antenna array and the high gain and ease-of-construction of the classic Yagi-Uda parasitic “beam” array. See the original article, N6NB’s webpage, or the ARRL Antenna Book for complete description.
This design is optimized for 436.8 mHz with a 50 Ohm feed. It is a slight departure from the design shown in the reference above. The graphic on the right depicts the pattern in free space.
Construction:
The antenna is built using 1/2″ PVC pipe (or 3/4″ if prefered) and several fittings. The driven element and the reflector are formed out of 12 gauge wire (striped from house wiring, but insulation left on) and the directors are made from 10 gauge wire. The following table is used for cutting the wire: while the driven element can be trimmed to tune the antenna, the directors should be cut accurately within 1/16″ or performance will suffer. If 3/16″ aluminum rod is used for the directors, another 1/2 dB of gain is predicted–but hardly worth the effort.
Using stainless steel bolts, nuts, and washers, directly connect the 50 Ohm coax feed to the driven element. I use crimp-on ring lugs to make a neat connection. Waterproof the connection with plenty of electrical tape or Coax-Seal and paint all the PVC parts to prevent UV deteriation.
Performance:
A single one of these quagi’s will give excelent service for all the LEO’s. The free-space gain is calculated at an impressive 13.15 dBi with a 10.2 dB F/B ratio. That is a lot of performance in an antenna you can hold in one hand!
A pair of these will provide circular polarization (see the picture above) and up to 3 dB more gain, depending on orientation. One also makes a fine portable antenna for AO-27, easily bringing in that bird full-quieting at the horizon. As the azimuth plot above shows, the gain is high and the pattern is narrow (equivalent Yagi model in YagiMax 3.46). The half-power beamwidth appears to be about 42 degrees.
Dimensions
Dimmensions (inches)
El. Length Distance
R 27-5/8 0
DE 26-5/16 6-15/16
D1 11-5/8 13-1/8
D2 11-9/16 23-5/8
D3 11-1/2 29-3/8
D4 11-7/16 38
D5 11-3/8 46-11/16
D6 11-5/16 55-5/16
G5RV more ideas
The G5RV multiband antenna is a very popular design on the HF bands.
The “common” G5RV is configured as a 3/2-wave dipole on 20 meters, and works as either a shortened dipole, or a collinear-fed long wire on the other bands.
In this configuration, the overall length is 102 ft, with a 28 to 34 ft matching line.
In some cases, this is still too large to fit in one’s yard, and not everyone can convince their neighbors to allow one to stretch the wire across property lines. In this case, a 1/2-size version, covering 7 to 28 MHz is useable.
Conversely, some amateurs would like to have 1.8 MHz capability, and have the 204 ft length necessary for this array. I have dimensions included here for both the half-size, and double-size G5RV antennas.
Bands...................1.8-28 MHz....3.5-28 MHz...7.0-28 MHzFlat-top.....................204 ft...........102 ft...........51 ft MATCHING LINESOpen wire...............67.3 ft........34 ft......17 ftLadder line.............62.4 ft........31.5 ft.....21.2 ft"TV" twin lead........56.9 ft........28.5 ft.....14.4 ft
[ All of the above-mentioned antennas will work on the 6 Meter band, sometimes without an ATU.]
Of the listed antennas above, the 7-28 MHz version was referred to in Louis, G5RV’s article in the ARRL “ANTENNA COMPENDIUM” Volume 1, the 1.8 – 28 MHz version is in use at Evhan, WB2ELB’s QTH, (with a single feedine, directly matched with the internal ATU in his Kenwood, I am also running the double-scale G5RV here on 160 – 6 Meters and the 3.5-28 MHz version in use by more local hams than I can remember right now.
Just for reference, the ladder line is available at most amateur dealers, over-the-counter, or mail-order, and the polycarbonate (Lucite) plastic for the spreaders for home-built open wire is available at any major plastic suppliers
Beverage antenna information
The Beverage (or “wave”) antenna was invented in the early 1920s by Dr. Harold H. Beverage. It was first discussed in a paper titled “The Wave Antenna – A New Type of Highly Directive Antenna” written by Beverage, Chester W. Rice and and Edward W. Kellogg for the journal of the American Institute of Electrical Engineers (Volume 42, 1923). The paper discusses testing longwave antennas (7,000 to 25,000 meters; 12-43 kHz) that were 7 miles (11 km) long. This work was done at Riverhead, Long Island, NY, and mentions “shortwave” tests around 450 meters (665 kHz) as a practical upper limit in subsequent experiments. While others have since written about the antenna, if you can find a reprint of this original work in a research library, you’ll find the paper is fascinating reading.
In 1938, the Radio Institute of America presented Dr. Beverage with its Armstrong Medal for his work in the development of antenna systems. The Beverage antenna, the citation said, was “the precursor of wave antennas of all types.” Dr. Harold Henry Beverage, Stony Brook, NY, USA, passed away on January 27, 1993 (at age 99).
A classic Beverage receiving antenna requires a lot of space. It is a long wire, one or more wavelengths long, mounted near to the ground and oriented in the direction of the desired reception. A nominal 9:1 balun is required at the juncture of the wire and 50- or 75-Ohm coaxial feedline.The far end is terminated with a nominal 600-ohm resistance. (When available land will not permit the installation of a “full length” Beverage, some people install “short” Beverages, ranging in length from about 300 feet up to 600 feet or so.)
The Beverage antenna is highly directional, responsive to low-angle signals, has little noise pick-up, and produces excellent signal to noise ratios. Some say the frequency range suitable for Beverage antennas ranges (from an Amateur Radio viewpoint) from 1.8 MHz on up to about 7 MHz or so…
However, consider the following from Frank, W3LPL:
Subject: Beverage antennas effective on entire HF range
From: Frank Donovan (donovanf@jekyll.sgate.com)
Date: October 22, 1995
Organization: (Usenet’s) rec.radio.shortwave
Properly designed Beverage receiving antennas are very effective across the entire HF frequency range. At the W3LPL DX contest station we use Beverages from 1.8 to 14 MHz, and during the sunspot maximum we used them up to 28 MHz!
Beverage arrays (multiple Beverages designed to operate as a phased array) are even more effective on HF. I’ve seen Beverage arrays with as many as 128 individual Beverage elements, each 220 feet long and 4 feet high.
ARRL Books:
“Low Band DXing:”
Low band antennas (TX and RX, including Beverages), operating techniques; by ON4UN
“DXing on the Edge–The Thrill of 160 Meters:”
160-meter operating, TX and RX antennas, and more; by K1ZM (includes an audio CD, too).
Beverage antenna articles–from QST:
“Beverage Antennas for Amateur Communications,” QST Magazine, January 1983, pp. 22-27. (Belrose, Litva, Moss, and Stevens)
“The Classic Beverage Antenna, Revisited,” QST Magazine, January 1982, pp. 11-17
(H. H. Beverage and Doug DeMaw).
“The Wave Antenna for 200-Meter Reception,” QST Magazine, November 1922, pp. 7-15
(H.H. Beverage).
K9AY receiving-loop antenna article–from QST:
“The K9AY Terminated Loop–A Compact, Directional Receiving Antenna”
QST Magazine, September 1997, pp. 43-46 (Gary Breed).
“EWE” receiving antenna articles–from QST:
“Is This EWE For You?,” QST Magazine, February 1995, p 31 (Koontz).
“Feedback,” (Re: Is This EWE For You?), QST Magazine, April 1995, p 75 (Koontz).
“More EWE’s For You” QST Magazine, January 1996, p 32 (Koontz).
Further reading:
“The Beverage Antenna Handbook”
Victor Misek, W1WCR
142 Wason Road
Hudson, NH 03051
“Beverage and Longwire Theory”
National Radio Club
P.O. Box 164
Mannsville, NY 13661
“The Beverage Antenna”
Popular Electronics magazine
January 1998 issue; pages 40 to 46
An article by Joseph J. Carr, K4IPV
Where you can purchase hardware for your receive antenna:
K1FZ offers his model KB-1 and the KB-2 *two-wire Beverage* matching transformers that include:
-High efficiency wound ferrite toroid transformers with isolated 50 ohm windings for minimum noise transfer.
-Transformers are housed in attractive, rugged plastic project type boxes.
-Each unit is individually calibrated to eliminate variations found in mass production.
-The use of large core size prevents saturation from adjacent local stations.
Website: K1FZ Beverage Antenna Transformers
— and —
Industrial Communication Engineers, LTD.
PO Box 18495
Indianapois, IN 46218-0495
Tel. 800-ICE-COMM (800-423-2666)
Main Office 317-545-5412
Cust Serv (parts) 317-547-1398
Fax 317-545-9645
Telex I.C.E. 27-440
Website: Industrial Communication Engineers, LTD.
About 1/2 the way down the above ICE webpage, you’ll see that ICE offers their Model 180A matching box for $39 (plus shipping). The 180A has taps to select 50 or 75-Ohm coax feedlines; and taps to match 300/450/600 or 800-Ohm Beverage antenna loads. The 180A has dc blocking capacitors and a gas-discharge lightning protection system. ICE also sells a Model 181A for $39 (plus shipping), which allows you to apply a dc voltage into your Beverage for remote switching. Like the 180A, the ’181A has a gas-discharge protection system.
Finally, they offer a Model 185A “resistive load” to terminate your Beverage with ($34 plus shipping). It has same high-impedance taps as the Model 180A. These units are rated for 10 W of continuous RF and 100 W on peaks. (I was told that these ratings are not specified for transmitting into the boxes. Rather, they are what the boxes can withstand when your Beverage picks up energy from nearby transmitting antennas.) All of these boxes are made of 1/8-inch extruded aluminum (milled and tapped). And, if you’re looking to buy American, they’re all made in the USA.
Source KB1GW